January 28 - March 27, 2022
On Jupiter
Works from the Beth Rudin DeWoody Collection
“On Jupiter” is an exhibition curated from The Beth Rudin DeWoody Collection in collaboration with The Center for Studying Structures of Race and The Joanne Leonhardt Cassullo Center for Art at Roanoke College. The works selected will focus on intersectionality as it relates to the imagined future. Examples of subject matter include gender, race, class, sexuality, and spirituality. Sculptures will serve as monuments to the experience while other mediums inform change through representation, celebration, or contemplation.
“On Jupiter” is derived from the discography of Sun Ra and his Arkestra, which explores the mythical dimensions of space whose mysteries are ambiguously relevant both to the past and the present. In Vedic astrology, Jupiter is known as JIVA, the consciousness of the soul representing the individuality of self. To be “On Jupiter” is to be present with the highest self. The works in this show are curated as a monument to this higher self and celebrates artists whose vision intensifies the awareness of cosmic connections. The revitalization of monuments across the country inspired the aesthetic of the selected works. Photographs memorializing loved ones, colorful mantras in spray paint, community gardens, flickering candles placed at the steps with people gathering to cook, make music, and dance. The statues prove that creating new planets is possible. That our energy can create its own gravity and pull others into its orbit. The catalytic action for change can form a pillar of hope. And future monuments will be erected with new materials, otherworldly visions, and love.
Alexandre da Cunha, Bust XXIX, 2011, Mophead, wool, dye, concrete
Devan Shimoyama, An Endless Task, 2019 Oil, color pencil, rhinestones, acrylic, collage, and glitter on canvas stretched over panel
Evan Nesbit Superstratum (PNK C) [detail], 2017, Acrylic and dye on burlap
Victoria Palermo, Last Night’s Dream, You, Me and the Dali Lama, 2006, Rubber
Thomas Nozkowski, Untitled, 2007, Oil on linen on panel
David Antonio Cruz, Welaughinthefaceofkingsneverafraidtoburn, 2020, Oil and latex on wood panel
Willie Torbert, Doing My Thing, 2014, Mixed media and collage on panel
Anne Samat, Ocu (Family Warrior), 2019 Rattan sticks, yarn, washers, rakes, PVS chains, home (kitchen & garden) utensils and stationary items
Derek Fordjour, Topdog, 2016, Clay, iron, bituminous coal, tree stump and enamel stain
Brandon Lomax, Population (2), 2019, Stoneware
Kajahl Benes, Observations, 2018, Oil on canvas over panel
Moriko Mori, Wave UFO Marquette, 2002, Lucite
Feodor Voronov, Spectrum [detail], 2010, Acrylic, marker, ball-point pen and spray paint on canvas over panel
Mickalene Thomas, Study for As If You Read My Mind #2, 2004, Acrylic, photographs, tape and paper collage
Phoebe Washburn, Micro Office Garden, 2011, Mixed media
Sadie Barnette, Untitled (Car in Pink), 2016, Collage and spray paint on paper
Mia Fonssagrives-Solow, Plomb, 2021, Lucite
Giorgio Andreotta Calo, Medusa C, 2016-2017, Bronze
Farrah Karapetian, Spray Can, 2011, Resin
Jean-Michel Basquiat, Triple Self-Portrait, 1987, Dye imbibition (Polaroid) print
M. Florine Démosthène, The Premonition [detail], 2019, Collage on paper (ink, mylar, pigment stick, pigment, metal leaf and glitter)
Jeff Cheung, Mint [detail], 2020, Acrylic on canvas
Jennifer Bolande, UN Speaker, 2002, Type C print, concrete, wood, fender speaker fabric
SOVIET and Tim Conlon , WS #2, c. 2010, Spray paint, paint marker on g scale model train
Yuval Pudik, Your Erotic Cabaret is Nonstop, 2008, Graphite on Paper [left], Vaughn Spann, A Prompt Response (Number 38), 2018, Oil stick, pastel, marker, ink, digital print and collage on Arches Aquarelle [middle], Owen Kydd, Composition, Warner Studio (on Green), 2012, Video digital display with media player [right]
Kiki Smith, Egg, 2000, Glass
Devin Ferrand, Piston Plate (Black and Blue) [left], Piston Plate [right], 2018, Yellow zinc plated steel, Carrara marble, black chrome, bluing
(Steven Ogburn) Blade, King’s Carnival, c. 2008, Spray paint and paint markers on canvas
Edward Lipski, Fang I [detail], 2010, Wood, piping, paint, Perspex, insulating foam, spray-paint, tinsel and gaffa tape
Hiroshi Sugimoto, Five Elements: Lake Superior, Eagle River, 2011, Optical quality glass, black and white film overall
Eva Rothschild, Intro, 2018, Polyurethane resin, steel, spray paint and varnish
Patrick Strzelec, Mighty Love, 2013, Aluminum, plastic, wood, and plaster
Nigel Cooke, Big Predecessor, 2009, Patinated bronze with paint
Chris Duncan, Untitled, 2006, India ink, paint, gouache, wood putty, marker, graphite, colored pencil on panel
Yrneh Brown, Waiting for God, 2020, Ceramic bisque fired, salt grown by artist entrusted, precious gemstones, crystals, quartz, found skeleton of rock dove, blown glass, other objects
Bryan Hunt, Planetoid I, 2015, Stoneware, graphite, and wax